Showing posts with label creativity. Show all posts
Showing posts with label creativity. Show all posts

Monday, January 11, 2016

Welcome 2016!

This will be a short and sweet post - a little info about my website update and a reminder about the Incognito Silent Art Auction. 


My caldesignnaturals.com website has been tweaked a little. Design and info has been slightly adjusted. It includes links to this blog, my etsy shop and Facebook fan page. Stop by and poke around. 





ALSO It's time for Memphis Botanic Garden's "Incognito Silent Art Auction" and yours truly has a piece in for the 4th consecutive year. BECAUSE it's "Incognito" I can't show you what it is. The idea is to "bid on what you like NOT who you know".

The pieces 
should be going up this week along the halls of the main building at the Garden. The auction starts at 5:30pm on Friday, January 29. 



Happy 2016 folks, may you be happy, healthy and safe.

Sunday, November 8, 2015

Updates coming...

It sure has been a long time!!

I have updates coming... in the mean time here are a few photos of pieces I've created - including a before, after and NOW picture of my last foster. 


This is Plum... now known as Sage - she came to our home a week after being
pulled off the streets of Memphis where she was living with a pack of dogs.
The pic on the left is her an hour or so after being caught at her first check-up
and the pic on the right is her a month and week or so later after her last
check up before heading north to live a wonderful life with her
canine sister and a great Mom and Dad.
She stayed with us from Halloween until early December.

THIS is Sage a taken 6 months later with her sister.
She is big, beautiful and LOVED.

Pieces currently in my calDESIGN Naturals etsy shop include but not limited to these -
EXCEPT the bracelet on the blue denim - which was a custom order. 











Tuesday, May 13, 2014

Not a Tattoo...

Initial starting design
A friend wanted to get a tattoo to memorialize her family members, but she knew her dad would not approve of a tattoo... so she asked me about making a butterfly bracelet. 

As we spoke about the bracelet I asked about her parents and grandparents and found the love of roses and irises were as strong as butterflies. She also wanted to include their birthstones on the butterfly.

An idea began to evolve. I instinctively leaned toward sterling silver metal clay - because that's my first go-to... and then I thought about my new classic metalsmithing skills and wondered about doing it in sterling sheet... and then it hit me - sterling sheet w/ enamel! I could add color to it to really bring it alive. We hadn't considered color in the initial discussions.

More discussion and I found it was yellow roses and purple irises. As I worked the design, filigree seemed to fit perfectly allowing the wings of the butterfly to be open and fragile looking like a butterfly wings would be.
The focal is less than 2" wide approx 1" tall and the spaces for the birthstones were very tiny so I opted to "create" the colors using my enamels. Turquoise, Garnet and Peridot - got those pretty quick, the opal concerned me but with some "fiddling" I got an opal I was pretty pleased with!

Some process shots ...
Layers cut from sterling sheet
Pieces stacked to test fit

Pieces soldered together, cell
wires added and filigree wing wires

Fired and pickled many times
in prep for enameling

























Initial layers of enamel
Additional layers of enamel












Finished focal with enameled
"birthstones"
Chainmaille bracelet w entwined
rings, birthstone dangle & mag clasp
















Once the focal was finished we looked at sterling wire bangle, leather, ribbon and finally decided that it needed a silver chain - so I created a chain including two pair of entwined larger rings in a "love knot" style on each side of the focal to again incorporate the family members being remembered - I added a fifth one near the closure to represent my friend and dangled HER birthstone from the focal.

This was truly a labor of love and I used almost every skill I have learned and loved every minute of working it out. I am thankful that she allowed me the freedom to create this piece for her and I enjoyed sharing the process with her along the way - loving the "ohhhs and ahhhs" she gave me in return! 


So happy she opted to NOT get a tattoo! :o)
Finished piece on the wrist of a pleased
daughter and grand daughter

Saturday, February 15, 2014

Back in the Studio...

Climbed back up on the horse after looking at late 2012/2013 year in review and seeing how few pieces I posted. No wonder I've been feeling "out of sorts"!! To much what I call "work-work" not enough creative play = "out of sorts" Cindy.

Fine Silver Locket...
I took a "hinge-less locket" class at the Memphis Botanic Garden in mid January and after making my piece I have ideas for how to change it up, improve on the piece I did (example - I did a deeper curve on mine so it was a bit smaller than the rest in class so my bezel should have been smaller... next time I will take all that into consideration. :o) ). I love taking classes - even if it's a repeat which I do quite often - I tend to learn something new each time OR get ideas on how to tweak projects and make them my own. (Next class is spinner rings! :o) )

earth prints in Sterling Silver...
On Jan 9 - 31 I took part in the Memphis Botanic Garden "Incognito Artist Silent Auction". The idea is that
 all pieces submitted are not "signed" (as most of them are paintings that is easy to do) and bidders are encouraged to "bid on what you love, not who you know". I created Sterling Silver versions of my "earth prints" in the form of a bracelet and an earring/necklace set. I loved every minute of creating these pieces! They speak to me and the "clean" edges on these - as opposed to the more organic look my latest bronze pieces have been was a fun different look for these. 

The pieces were pretty well received - they were on display from 9th thru the 31 with a big Gala event the evening of the 31st when the silent bid auction took place. My necklace and earring set brought in a winning bid of $125 and my bracelet brought in a winning bid of $50. Not a bad donation for the Garden Education Department.



Bronze earth print:
Cilantro w Amethyst ...

On even better news - I posted the Bronze Cilantro w Amethyst crystals earth print I wore to the Incognito Gala on Facebook to show how cool it looked with some organic ceramic beads and SOMEONE ASKED TO BUY IT! - Ok I know, I have sold pieces before, and even shipped to Australia but ... ::giggle:: it never gets old! ;o)

The piece had two Amethyst Crystals (little pieces that chipped off when I dropped an Amethyst Druzy piece on the floor by accident) fired in place in the Bronze. They clouded in the kiln - which I expected something to happen because Amethyst should not be fired - and let me tell you - they were soo cool looking. They clouded, did not fracture or break, just ended up looking almost like Moonstone. I paired it with two twist tube organic textured, ceramic beads with a slight turquoise coloring on them. Strung it all on a brown leather cord and created hand-coiled end caps and "S" hook. It was restrung and is now in the loving hands of it's new owner. 

Heart Felt
& Simply Understated...

My latest piece was a custom Valentine's Day gift. Now I know this gifter and they let me pretty much have my own way but I wanted them to be able to have a hand in the piece also so when they told me the receiver's favorite color is green so I went thru my stash of lampwork beads and pulled out three types of green beads....

  1. "cutesy" green - like cupcakes
  2. "love" green - hearts of diff shapes, sizes and shades
  3. "dressy" green - more modern take on green lampwork beads - long focals, swirls, etc.
Without even asking for more the large heart focal was picked. No second guessing - just perfect. It has an opaque almost Emerald green bottom and transparent green top with silver swirled where the different glasses meet. The heart focal is one I had gotten from Principessa Jewels & Glass.

I went for a "simply understated" look and highlighted the colors on the bead by using 4mm Swarovski Crystals (sand opal, olivine, emerald and peridot) and added one for the gifters birthstone and one for the receivers birthstone. I hung the pendant from a black leather cord (also requested by the gifter) with Sterling Silver hand-coiled end caps, "S" hook and then added a 2" chain to allow for it to be worn at varying lengths. I finished it off with a clear crystal Swarovski heart. 

I have been back in the Studio this weekend too - started and finished a project that went INCREDIBLY SMOOTH! :o) Right now the pieces are in the tumbler so more later!! :o) 

Thanks for "listening". :o)

Sunday, May 23, 2010

Charms for Charity
May 23, 2010

I'm excited to be participating in the 2010 Charms for Charity this year. Metal Clay artists gather to create charms and charm bracelets to be raffled with donations going to the American Cancer Society and The Marrow Foundation.

A little back ground - here's the press release:

Jewelry Artists Charming Their Way to the Cure

In memory of one of their own felled by cancer, jewelry artists who work with Precious Metal Clay and Art Clay Silver have banded together for the second biennial fundraiser for cancer research, Charms for Charity.

Inspired by metal clay artist Robin Whitmore’s uplifting spirit and love of life, the entire community of metal clay artists has banded together to raise money by doing what they do best, making jewelry.

Robin died in 2007 after a courageous battle with cancer, leaving a legacy of courage and charity among her friends and colleagues. Now Metal Clay artists from around the country have decided to honor Robin and their own loved ones who have succumbed to this disease by raising funds to benefit The American Cancer Society and The Marrow Foundation. Individuals and local guilds are donating charms or complete bracelets to be raffled off.

The bracelets will be raffled off at the Precious Metal Clay (PMC) Conference in Perdue, IN, July 30, 2010, but raffle ticket holders do not need to be present to win.

This year, the metal clay artists hope to top the 2008 Charms for Charity donation of $12,270. Raffle tickets are $5.00 each or 5 for $20.00, and multiple winners will receive a sterling silver bracelet with many beautifully crafted charms made by artists from all over the world.

All checks will be made out directly to the organization, either The American Cancer Society or The Marrow Foundation.

Each ticket purchased brings with it the chance for a special piece of fine jewelry but it also brings us one step closer to a cure.


Bracelets & Charms...
The image of the bracelet is only one of many bracelets to be made. With so many charms coming in from so many different artist is it likely that there will be almost no two bracelets alike! :o)

I'm working on a charm that will be in remembrance of my Aunt Rita who passed away after her own struggle with Bone Cancer and in honor of my friend and co-worker Bryan who is currently fighting his own battle.

My hope is that the charms will come out as designed - I'll be working on them during the month of June so cross your fingers.

Any of you who are interested in buying tickets for the raffle can contact me!

Saturday, May 15, 2010

Fire in the Hole!
New Paragon SC2 Kiln & Copper

At the beginning of March I decided I WAS going to take the next step in my obsession with metal clay and get a larger kiln. I love my Ultra Lite but it's to small to do anything larger than 2.5" diameter AND I can't do copper in it. SO at the end of March I ordered a Paragon SC2 kiln from Paragon rep Pam East.

How excited was I when less than two weeks later my new kiln arrived? :o) VERY! BUT... fear of the next step creeped in and it took me three weeks to open the box and 2 more weeks to fire it for the first time.

Here's my set-up.
Cleared out the rest of my garage corner and set up a 6' work station for "Blue" (my appropriately named SC2) and my enamel station. It's a bit "hoopty-bo-bo" but it works! Supplies - 1 - metal file cabinet, 1 - 16" x 16" x 2" cement stepping stone, 2 - 18" x 18" x 1/2" Travertine Tiles, 1 6' x 16" heavy-duty metal closet shelf, 5 - 12" x 12" x 1/4" Pinkish Marble Tiles. These, all combined together = one heck of a cool work area. :o) (I also borrow a corner of it to hold my light cube when taking photos... but I'm working on a new area for that.)

TONIGHT I fired up "Blue" for the first time. Did a pre-fire to get all the dust out and burn off any residue from my kiln furniture. Followed the great instructions that Pam sent with the purchase of my new kiln - much easier to understand than the garbly-goop that came w/ the kiln. Successful pre-fire! And yes dad, I had an extinguisher and my cell phone handy! :o)

THEN I heated it up to 1780 because I had a pair of copper earrings waiting to be fired. Of course, they've been waiting to be fired for 2 1/2 months. I purposely created them so that I would HAVE to get over the fear of first fire of "Blue" in order to get them done. They were too big torch fire! I had also done some quickie copper earring pieces from a mold I have so that I could test 'face up, face down' of firing Art Clay Copper on a shelf. See in my head I wondered - if I put it face down will it oxidize LESS or should it be face up.

I positioned the pieces on my small kiln shelf that came with "Blue" (the big one was already in and sitting on 1/2" stilts to allow for air flow and there were 2" stilts laying on their side to make them 1" above the floor waiting for the copper filled shelf to be placed on them) and waited for it to get up to 1780.

Note: I had a copper pod go to pieces after being fired for 30 mins in carbon and then picked, tumbled and refired w/ a torch to fix an 'issue'. I emailed Pam and told her exactly what had been done and asked for help and her recommendation was - if it's fired in carbon it needs to be fired for 3 1/2 hours. If it's done on the shelf - which she recommends for Art Clay Copper it's 30 mins at 1780, direct on the shelf. SO those are the directions I followed.

The kiln hit 1780 and I was ready. I picked up the shelf in some tongs opened the door, slid the shelf in - DANG 1780 is hot! - and then quickly closed the door. I wasn't that quick because it took approx 3 1/2 mins to get back up to 1780. Then the fun started... the binder started to burn off like it does normally - little flame... BUT the cool thing was (and I didn't know this so no pic) because there is limited oxygen the smoke that results swirls and twirls and looks so totally cool in the kiln (Love my window!). Then we wait. (NOTE: Pic is actually "Blue" cooling down after firing.)

30 mins later the kiln starts to beep and it's done. NOW... instructions are - pull the pieces out and immediately put into cold water to get as little oxidation on the pieces as possible and the cold water would help pop what oxidation did form off. WELLL... I didn't realize that the pieces may 'stick' to the shelf. So as I pull the shelf out and tip it over, nothing is falling out so what do I do?
I stuff the whole shelf upside down into the water ... bye, bye shelf! LOL! I had fire paper and why I did not use it I am not sure but next time, to be sure I will!!! (Pic is the remnants of the shelf. Kind of interesting. The pieces that came out had some areas of 'thick' oxidation. But the pieces that 'stuck' left that thick layer behind on the shelf.)

It sounded like pop corn as the oxidized copper popped off the pieces in the water bowl. Here's the results after I pulled them out of the water... Here's a pic of the pieces immediately out of the water.

The right pic shows the four pieces for the 'face-down, face-up' test. Unfortunately I forgot to pay attention to which was which but... here's my guess... the pair on the left were face up - and the back (shown on the lower left) was on the shelf and that is what stuck. The others.. the back (shown lower right) were probably up in the air and the oxidation is still there because there was nothing for it to stick to.

The left photo here show the back and the front of the larger earrings that have been very patiently waiting for a firing. These were put face down on the shelf BUT the design is raised. I used a stencil of a vine and used copper slip to fill in the stencil so that it is raised off the earrings. Because of this piece would not lay flat on the shelf which is PROBABLY why the oxidation did not stick to the shelf. BUT... I like it on this pair. We'll see how much comes off in pickling.

Right now, the pieces are in the pickle. NOTE... I have been using Silver Prep from Cool Tools to clean silver and copper... I recently bought the natural "Pickle It" recently released by Metal Clay Supply and not very excited about it. I ended up adding some Silver Prep to it and it's working much faster now. Maybe going back to my Silver Prep for future orders.

Cross fingers that the cleaning goes well because I have got some GLORIOUS Lampwork Beads from Bastille Bleu Lampwork Beads that will be used on the larger pair and some really sweet little natural beads for the little pieces.

Saturday, April 17, 2010

Nervous Adventures in
Copper & Lampwork Beads
April 16, 2010

Greetings friends!!

Welcome to my nervous adventures in Copper and Lampwork Beads! I have already admitted my newly acquired addiction to beads... no, not just any beads but HAND-CRAFTED, Made in the USA, Lampwork beads. And not just any - I get mine from some very talented deale... ahhh artisans!

One of these is Canyon Echos - I purchased a couple of sets from her, the first being Desert Dreams. I'm sooo nervous about using these beads! They are so pretty - and professional and... oi! OK so, I saw this set and even though it has silver in it, I thought COPPER! For some reason I kept seeing wood when I look at these organic matte beads. That led me to thinking about bark... branches... you know - wood.

I pulled out my design book back in Feb and kept doodling a bail that is based on a tutorial by Deb Fitz of Paradise Cove. Except my bail kept turning into a piece of wood. Like a cut down branch w/ a thin branch still attached and swirling around to encompass the focal bead.

I have also fallen in love with Viking Knit Chain - and I learned to do this (thanks to one of my other deal... ahh enabler... ahhh artisans Nikki at Bastille Bleu). I kept seeing my chunky bail sliding on the viking knit chain.

That meant I needed end caps to finish off the chain and lead to the rest of my pretty Desert Dreams beads. Finish that off with a copper closure and POOF you have my first 'real' piece of creativity.

I used Art Clay Copper to create the branch, endcaps, and closure pieces. I crafted them and added the texture by hand before they dried. I feel more comfortable right now creating the texture of the bark when the pieces are wet rather than carving when they are dry. I fired the pieces w/ a butane torch, pickled and then tumbled them.

One of my evenings watching Project Runway I wove the Viking Knit chain. I love this chain. I love the fact that you start w/ a dowel and wire and end up with this smooth, silky feeling chain! And depending on how 'thick' you like it you can practically make it fit whatever need you have.

My hope is that the artisan of the Desert Dream bead set approves of the design and craftsmanship of the piece. Did I mention I was nervous? :o)

Thursday, February 11, 2010

February 11, 2010
BEADS! I Love Beads!

I love beads.

I didn't realize it, but I do - I love beads. While working and learning and sucking the minds of my online mentors dry as I grow my metal clay addiction some how beads started to grow on me.

It could be the fact that I am SURROUNDED by these fabulous artisans who make the most gorgeous glass beads. It could be that I'm SURROUNDED by these fabulous artisans who USE beads to make gorgeous jewelery. Whichever it is, however it happened... I LOVE BEADS.

I have a small mason-like jar of what I call "Inspiration Beads"... beads made by Deb Fitz. These are so beautiful. They sit in the jar waiting for a design worthy of their beauty to dribble out of my brain and into my design book.

THEN... I bought the cutest (CUTEST) little cupcakes and lady bugs from Bastille Bleu. They look cute in the pictures, but photos do not do them justice... they are the cutest, littlest, sweetest cupcakes ever!

THEN... tonight, I ordered from Canyon Echos Johanna makes these gorgeous, organic beads that just look so natural and yet have these cool swirls of fine silver through them. I'm so excited to use her beads with my silver!! Here's what I ordered tonight... but add 2 more, slightly larger spacer beads to the brown set. She's special order making them for ME tonight. Yes... FOR ME! makes me all happy inside!!! :o)


OH OH.. and I know they are not beads, but I bought Titanium too. I used two gorgeous pieces of crystallized titanium that I got from Holly Gage in two pieces I made. AND when Chris & Holly sent out the email that they had to pull them off their site for a while I ordered three more pieces because they spoke to me... something pretty about them - and they too sit waiting for something gorgeously worthy of themI cant help but see grapes (thanks to Chris' description! :o) ) in the piece to the right and thanks to his power of description, I have an idea in mind for a larger pendant/closure piece. I'm excited because it will be the hardest, largest piece I try. And the piece in the middle... something about that chocolate 'lace' piece made me love it. I almost want to snip it into two... but the jury is out on that.

And finally - but not least. It is my goal to 'pay it back' to the people who help me on a daily basis as I learn and grow in this exciting medium. So I have allowed myself to purchase from the great artisans above and from some gorgeous jewelry makers. I lusted after this pewter heart necklace the minute Keirsten of Lune Design posted it.
And then when she posted the adorable earrings, I had to make them mine. Happy Birthday to me! The gorgeous pieces have a ton of garnet (my birthstone) in them and I simply love the look AND feel of these pieces. OH and her blog - the Cerebral Dilettante- hilariously delicious!!

And .. yes, there's more. I was asked by my brother and his new wife what I would like for my birthday ... well, I'd already bought the set above for myself (he he he) ... but I had my eye on a piece by Holly Gage. "When Peace Talks" this piece is strong, and meaningful, and gorgeous. All things I admire. And poof... two days after my birthday a gorgeous "When Peace Talks" arrived! Sterling silver on black cord w/ Venetian blue bead. mmmmm!! :o)