Not a Tattoo...

Initial starting design

A friend wanted to get a tattoo to memorialize her family members, but she knew her dad would not approve of a tattoo... so she asked me about making a butterfly bracelet. 

As we spoke about the bracelet I asked about her parents and grandparents and found the love of roses and irises were as strong as butterflies. She also wanted to include their birthstones on the butterfly.

An idea began to evolve. I instinctively leaned toward sterling silver metal clay - because that's my first go-to... and then I thought about my new classic metalsmithing skills and wondered about doing it in sterling sheet... and then it hit me - sterling sheet w/ enamel! I could add color to it to really bring it alive. We hadn't considered color in the initial discussions.

More discussion and I found it was yellow roses and purple irises. As I worked the design, filigree seemed to fit perfectly allowing the wings of the butterfly to be open and fragile looking like a butterfly wings would be.

The focal is less than 2" wide approx 1" tall and the spaces for the birthstones were very tiny so I opted to "create" the colors using my enamels. Turquoise, Garnet and Peridot - got those pretty quick, the opal concerned me but with some "fiddling" I got an opal I was pretty pleased with!

Some process shots ...

Layers cut from sterling sheet

Pieces stacked to test fit

Pieces soldered together, cell
wires added and filigree wing wires

Fired and pickled many times
in prep for enameling

Initial layers of enamel

Additional layers of enamel

Finished focal with enameled
"birthstones"

Chainmaille bracelet w entwined
rings, birthstone dangle & mag clasp

Once the focal was finished we looked at sterling wire bangle, leather, ribbon and finally decided that it needed a silver chain - so I created a chain including two pair of entwined larger rings in a "love knot" style on each side of the focal to again incorporate the family members being remembered - I added a fifth one near the closure to represent my friend and dangled HER birthstone from the focal.

This was truly a labor of love and I used almost every skill I have learned and loved every minute of working it out. I am thankful that she allowed me the freedom to create this piece for her and I enjoyed sharing the process with her along the way - loving the "ohhhs and ahhhs" she gave me in return! 

So happy she opted to NOT get a tattoo! :o)

Finished piece on the wrist of a pleased
daughter and grand daughter

Awareness, Studio Update & New Studio Kitties!

Hope, Love & Golf

Hope, Love & Golf...

On August 16, my sister and some of her friends participated in a Rally for the Cure golf tournament in Concord, NH. They were selling "spots" to play and looking for donations for the raffle table - so you know where I fell in those choices! ;o)

I created an artisan-crafted bracelet which features my own custom designed Heart & Awareness Ribbon. Crafted from Fine Silver (.999) it was customized for the Rally with a tiny golf ball. I added color to the charm by hand-enameling the ribbon with a light pink Japanese enamel and the heart was patina’d to bring out the details.

The 2-1 hand-crafted chain is sterling silver (.925) interspersed with beautiful made in the USA artisan-crafted lampwork beads by Canyon Echoes Artisan Beads flanked by vintage Swarovski Clear AB crystals. The lampwork beads look like pink ice cubes. So beautiful combined with the charm. The bracelet measured approx 7”-7.25” long.

I heard from my sister later that day that one lady really wanted the bracelet and bought a number of tickets. Apparently you bought tickets and the numbered order in which your name was drawn indicated the number of the prize you won... The lady that wanted it had her name drawn FOR that piece. It was a little miracle all of it's own - I'm SO PLEASED that she loved it enough to buy tickets and then was the lucky winner!

Thank you to my sister for the opportunity to be part of such a worthy cause!!

Studio Update!!

Studio Layout

DONE!!! Cleaned up, cleaned out, and re-organized!! I love my studio - it's walls are Hydrangea Blue (an Eddie Bauer paint color from Lowes), the woodwork is an off white and the floors are honey brown. Add in my display credenzas for books, display and now packaging area; a small drafting table with storage on top, child's desk with incredible work space, a computer armoir again with incredible work space that can be closed up, toss in a 6' Aruba Cat Condo and a "Pent House" kitty bed on top of the armoire and you have my absolute favorite room in the house!!

An earlier blog showed my shame at the condition the Studio was in during the summer. It's no wonder I struggled to create. NOW let's see it as I SEE IT every day.

Storage, Display and Packaging Credenza's

Welcome to my Studio... we are going to stand in the center of the room (more or less) and rotate clock wise around to each of the areas. 

Credenza & Display Hutches with books, magazines, shipping supplies, display pieces, storage drawers for my finished jewelry, packing station and display area for some of my favorite things.

(That little stool... it's an idea I have to make my work area at the Botanic Garden classes higher... we'll see how it works next weekend for the Copper Enameling class!)

Studio Kitty Condo & Toy Area

The all important Studio Kitty Condo area. I have had this Aruba Cat condo for years... probably going on 14 or 15. It has served me well. 6 kitties have played on, laid on, slept on, and scratched on this condo (as you can see from the lower legs) and they have all loved it.

I originally took this and realized there were no Studio Helpers in it! Needless to say when they wandered back in I re-shot. (Shadow is lump on top, Sissy is under the beading station (lower right) and Hanna is laying on top of my pink and brown rolling bag (lower left).) Nubbles was being smart and sleeping in the bedroom!

Bead & Wire Work Area

Bead & Wire Center...
This is the drafting table that I started with in the closet of the guest room. It fit perfectly in there and now fits perfectly between the white "post" and the window. Like it was made for those spots.  The white storage piece sitting ON the table is actually upside down! I flipped it so that I could use the "poles" going across for wire storage instead of ribbons as originally intended by the creator. Little "canning jar-esq" glass bottles hold semi-precious beads on the rest of the shelves. I got creative and added a bar across the front of one of the bead shelves to hold my tools. (they use to be in stands on top of this storage unit but it meant up and down while working on projects. Project boxes, a dapping set, my Ultralite kiln "just incase", soldering tools are also on this table and YES there is still plenty of room to work. One of my favorite areas in this corner is where I keep my bead hoarding umm I mean bead STORAGE area ::cough:: All those drawers have little

Computer, Extra Work, Sculpting, Molding

plastic bottles of beading goodness (lampwork, Swaros, small semi-precious stones, more wire, more tools, chains, and so much more. The black drawers are my cabs... oooooh yes my cabs and my crystals. ::sigh:: love this area. ;o)

Now a quick turn to the right and you see the 1/3 wall between the Studio and the Living Room (yes, this was supposed to be a dining room - WHO NEEDS A DINING ROOM? ;o) and you see my wonderful score - a CHILD'S desk (really - it's huge, I KNOW) that is tall! it has a large work space, a HUGE pull out area that, when used with a wireless mouse and keyboard gives me even MORE work space.

I use this for my computer work, design work, extra beading and wire work and I've been using it as an area to make my

Studio Kitty Pent House Access

molds and do polymer clay sculpting. This desk is perfect - enough space to put my computer, some display pieces, a laser printer (another bargain!!) my fan... such a wonderful piece.

The 1/3 wall is how the boys get up to the Pent House on top of the Armoire. At some point they discovered they could jump diagonally from the short wall to the top of the armoire. They have even gotten so that they can do it if the door is not fully pushed up against the side. Very coordinated they are!! :o) (this shot shows the jumping angle.

Metal Clay Armoire and Studio Kitty Pent House...
Here is where I make the metal clay magic happen. I love this piece! (who am I

Metal Clay Armoire - partially open

kidding I  love ALL the pieces in this room). It allows me large amount of work space, two pull out areas that have enough space between them and the
work area above to allow pieces to be pushed safely away without being moved! When fully opened you can see all the storage, drawers, shelves, I added peg board on the inside and that allows for added wire storage baskets and hooks. Plastic drawers, metal shelf risers, plastic photo holders and more allow me to store everything I need close at hand. You will notice that there is no trim on top of this piece - it should have a piece across the front and side to match the credenza. I was so excited to get it up and filled that I never added the trim... THANK GOODNESS! I later discovered that Nubbles got so comfy up on top in the Pent House that he ROLLED OFF three times in prob 9 months.

Metal Clay Armoire - fully open

The walls are angled so it doesn't fit snugly against the wall - he rolled off the BACK! I pulled the large trim piece that should be on the front and leaned it against the angled walls behind and POOF instant kitty bunk bed bar! No more rolling off!

I hope you enjoyed my tour of the Studio!! Wait... what?? what is missing? The Kiln? OHH YES! The kiln! I have a separate area - you access it just to the right of the Metal Clay Armoire and around the corner to the door to the garage. In the garage I have two work stations for my kiln, torch work, polymer clay oven, and photo booth with lights.  Thank you for visiting my Studio!!

Studio Kitties...

New Studio Kitties!

I would like to introduce you to our two new Studio Kitties.. Miss Hannah Mae and Miss Magic Sissy. They came home in late July after a visit to the Memphis Animal Shelter. I went to see Miss Hannah after seeing her picture and while waiting to see her I was "selected" by Magic Sissy (we call her Sissy). She was an adorable black kitten in #13 cube. I thought that was kind of funny... black cat, #13.. Well... after Mikito passed away last December our house was missing that little black kitty. And #13 is my lucky number. She didn't have a name just "Unknown". We finally were able to see Miss Hannah and hmmmm now I was sucked in... BOTH girls were adopted that day. They were chipped, had their surgery and came home 3 days later. I can tell you that it was the smoothest introduction I've had. The boys finally took to them, the girls took to the boys and soon I caught Mr Grumpy (ok his name is really Nubbles but he played grumpy when they came home) giving kisses to the kitties and trying to play with them. I knew then that it was going to be OK!

Shadow & Hannah Mae

Hannah Mae

Nubbles & Sissy

Sissy

More Pics from My Enamel Vacation...

More photos from my vacation... :o)

First - fine silver pieces created - then the enameling starts. The last pic there... that's my teacher and new friend Pam... watching her work was inspirational.

John C Campbell Folk School...

(Left) View from my dorm;

(Right) Some of the studios (the enamel area is building on left);

Enamel Bead Class...

Enamel Vacation!

November was a little crazy for me - I did something I've not done in probably 10 years. I went on vacation. Yes, a real vacation - not a vacation where I am traveling for work and go visit my family. A vacation where I did NOT even bring my work laptop with me! It. Was. FANTASTIC.

I traveled to Pam East's GA studio and took one of the most fantastic silver clay classes ever. Champleve Enameling on Silver Clay. The most important thing I learned was do not worry and take your time - there is a lot to be said about the actual finishing of a project. Pam taught 4 of us the ins and outs of silver clay in this two day class helping us open up to having no fear and creating beautiful pieces. We created pieces specifically for Champleve Enameling process. And the second day we enameled. What a blast - completely relaxing, you get into a zone and the pieces seemed to flow. I learned to build the enamel layer by layer creating the shading as you go. And then the finishing - how much I learned about this. When we were done you could run your finger across the top of our Champleve pieces and it felt like they had a layer of smooth, glossy varnish over it - but it was just the finely ground, smooth, beautifully finished silver and enamel. No edges, just smooth. I learned so much!

The second piece we did was at our request - she had a beautiful piece that had what we came to call a "river" of enamel flowing thru it. The silver piece was textured but the "river" was smooth and stood out from the texture. She showed us how and we had a couple of rivers and one heart from this project. I love my little heart on the rounded triangle shaped pendant. (So much that I bought a template of the rounded triangular shape to use at home.) On this piece we didn't carefully grind the enamel down because of the texture but what we did do was add patina using real liver of sulfur - something I had never used before. I have only used the gel form. I was / am very pleased with the colors I got that evening.

Those were two incredible days! Well... that wasn't the end of my vacation - ohhh no! I had found out that after our class Pam was headed to the John C Campbell Folk School in North Carolina - just over the border. So when I found out it was only a 2 hour drive from North Atlanta I signed up. I took Thursday off and relaxed and then checked out of the Hilton and headed north on Friday. The John C Campbell Folk School is an experience in itself. It's a little mini community a campus of buildings comprised of studios and living space. It was fantastic. You share a house (and sometimes a room - I did) with people you probably have never met before. You walk to the main building(s) for meals and gatherings, you walk to the studios for class and let me tell you - the classroom we had was fantastic.


Pam taught Enamel Bead class to 6 of us. Crafty ladies with differing levels of skill but none of us having had real hands-on large head torch experience before so it was great we all learned. I made over 60 beads in 2 days and was crazy happy with the techniques we learned. It wasn't a "making a finished piece of jewelery" class it was a "learning techniques" class. At the end of the weekend Pam gave us the opportunity to purchase our torch heads and other equipment. I came home from that week with the best new tools, techniques and FRIENDS!

OH speaking of new friends - you need to check out these gourd pieces... I met Judy Zeigler of Art of Critter Ridge at JCC in Pam's class. She was there to learn to make the beads to add to her beautiful gourds. I was so impressed I purchased this turquoise colored gourd and it sits proudly in my studio. She hand coils, paints and the inside is lined with hand-crafted papers. Check her out on FB!!

I finally returned home at 9pm on Sunday night to turn around and fly to San Francisco for Dreamforce conference (work) the next morning but let me tell you - that was THE BEST VACATION I have had in many, many, MANY years. Thank you Pam and all the wonderful gals I met!!


Until next time... I leave you with this thought - Please take time to visit my friends using the links posted above. These gals make all their product by hand - in their work shops, rooms, studios. They are true artisans and I am so proud to present their work in my pieces.

Charms for Charity... Part Deux! 06/29/10

WE HAVE CHARMS!!!

(The good thing is, the charms look better than these not so great pics. I need to ship them on Wednesday and I'm going to try and re-shoot in the a.m. when I'm a little more alert.)

Charms...
PMC3 - Heart w/ Ribbon, Enamel, plus. I created two PPPs (Photo Polymer Plates) for these charms. The first was the base - the heart with the words in it and the second was the ribbon to go on top. The loop of ribbon forms the area for the jump ring to attach. The FIRST design (as shown on the previous post) was to have the ribbon all silver w/ words imprinted into the heart and birthstones: moon stone for a friend who is winning the battle w/ cancer and aquamarine for my great aunt who sadly lost her battle with cancer.

THEN I started working...
What looks great on paper didn't work so well in clay ... only because I don't feel you can see the words well enough with the birthstones added. SOOO... I adjusted. I added some flake (which I tapped down a bit) on one side of the ribbon to represent "moon stone" and then I added translucent enamel on the other half to represent aquamarine.

Enamel...
The enamel worked like a charm. I have to thank Pam East for her book "Enameling on Metal Clay"! I used it like a recipe book the whole way thru! While doing this I learned that when using the green glasses you aren't looking for COLOR so much as the look of the glass... granulated, orange peel, smooth. It was amazing that I could see the differences in the enamel as it heated. EVEN WITH my lousy eyes!! I have to say though that I FREAKED OUT... When I pulled the first charm off the Ultralite and took the glasses off I saw that the enamel looked LIGHT GREEN NOT LIGHT BLUE! OMG! What the heck?? Then POOF! the Enamel gods heard my dismay and as they cooled, the blue appeared! :o)

LOS...
I used a fine brush and added some LOS to the words that were imprinted in the hearts. The LOS spread a little more than I wanted... so I did something I wasn't sure I should, I re-tumbled them for about 30 minutes. My hope was that the LOS would come off a bit and that the enamel would NOT scratch. Luck of the charm gods were with me!! Everything came out of the tumbler OK!

All-In-All I'm very excited about the charms. I'm going to send all 7 to Holly and let her decide if she needs/wants the two w/ the stones in them. They aren't perfect, but they are pretty and who knows she may need 2 extras! I know these aren't the professional style, look and technique/quality of many of the other artists, but they represent my design, my friend, my great-aunt, me and my love of this cause!

My charms need to be in by July 6 but I still have tickets available and can sell them thru the 20th (need a couple days to get the money and tickets in before the conference) if you want tickets - please let me know!! :o)

October 10, 2009: Enameling on Copper

OK so it's not fine silver clay BUT what you learn for one medium you can translate to another medium! :o)

Yet again a great Saturday found me at the Memphis Botanical Garden (MBG) and a class on Enameling on Copper being led by whom? Yep, you got it... Brandy Boyd. (I mentioned I consider her my "dealer" in this addiction right? :o) )

What a great time we had learning to enamel. This I will have you know is one of the techniques I needed to learn to work on Mom's Mother's Day pin. Check this off now!

OK did I written about Facebook? After spending a TON of time online researching this new metal clay addiction I thought - I wonder if more people than Brandy and I on Facebook love this medium. I found fellow addicts! And they are GOOD - CRAZY GOOD! This awesome group of artists have become my mentors. They deal with me asking questions: how do I do this? where do I find that? can this be done?

There are so many great people that I am learning from I can't even list them all. The ones listed here have websites with information I find interesting, helpful and inspiring. The first is Brandy Boyd and when she gets her site back up... I'll definately post aside from her metal clay, polymer, enameling skills - her photography skills are crazy good.

~ Pam East: www.pameast.net
~ Pam also has a great book "Enameling on Metal Clay"
~ Gordon K. Uyehara: www.honudream.com
~ Holly Gage: www.hollygage.com
~ Deb Fitz: http://debsdream.blogspot.com/
~ Lorena Angulo: different flavor - http://blog.lorenaangulo.com/
~ Kristi Bowman: http://DreamSome.Etsy.com

Photos from class can be found here:
Enameling on Copper

September 2009: Art Closet

When my office moved into my house I lost the extra space that I would use for an "art studio" but this need to be creative has taken over. So I look for space - spare room - but if I have visitors where would they stay? Living room? Negative any place out in the open is free reign for my 'kids'. (Note: my kids are 4-legged and fluffy.) Anything out in the open has potential to be kicked off onto the floor, chased and even in Shadow's case - picked up and carried through the house. So I start looking closer.

Back to the guest room I decide to use the closet - coincidentally my drafting table slides right into it - the doors can shut and POOF it's 'kid proof'.

The first project to really get started in the "closet" is a pin for my mom for Mother's Day 2010 - the design is done, techniques are yet to be completely learned. I won't start it til I get everything down! It will be fine silver with enamel, 24K gold, and will have 'gems' attached.

The second is painting of my carved Cardinal. Did I mention I love to carve wood? My last project was a female cardinal. She was carved and burned and all she needed was color and I moved and got caught up in work. The picture shows her carved, burned and sprayed. She has two coats of gesso and the first coat of color - no going back now!